Don’t worry about this-we are not adding or subtracting pixels here. I set resolution to 300 when I’m planning to print images. You’ll notice Adobe 1998 is default and is a suitable color space for a working image in Photoshop. Access these by clicking on the text at the very bottom of the ACR screen displaying color space, bit depth, resolution, camera sensor size and PPI. Let’s keep moving.Īfter making our basic color correction adjustments, we need to adjust some Workflow Options before opening our Raw files in Photoshop. For pincushion distortion, it’s going to make the subject wider. Checking this box can sometimes be half the battle. We want to remove lens distortion altogether before we start slimming the face and body. Another important element is Lens Correction. I typically leave Clarity and Vibrance set to zero when retouching images. Let’s jump into Adobe Camera Raw (ACR) and review our settings. Consider this workflow even when you have delivered creative edits to your client. Make your life simple and edit from the Raw file that has been merely color-corrected for basic exposure, color and tone adjustments. You are probably wondering at what stage in the post-production you should start retouching. Put your feelings aside and consider using these tips for your post-processing. Reader beware: We are going to thin real clients and show what else this tool can do. This article takes you through the do’s and don’ts of Liquify and how to navigate through the Liquify panel in Photoshop CC. Stop saying your photography is pure, and get up to speed with the industry. If I haven’t lost you with the title of this article and you think your clients should remain untouched, as they appeared through your lens, think again. This is a bad move unless your client requests it. The last thing you want to do is make them look 30 pounds lighter because you think they will be happier with their images. The sensitivity of your client should come into play as well. When it’s obvious that an image has been altered from reality, it’s just tacky. When you retouch clients, your changes can’t be noticeable. Shutter Magazine is the industry’s leading professional photography magazine. Launch the July issue of the magazine by logging in or signing up for a free account by clicking here. Want more information on this article? Get access to video content and additional supporting images. Tighten Up the Loose Ends: Liquify Tool in Photoshop CC 2017 with Dustin Lucas
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